Djalouz Art2.091 - App Store

Djalouz Art

Parall lement l'obtention de son dipl me de dessinateur maquettiste, il commence le graffiti en 2003, inspir directement par la jeune sc ne montante du graffiti hexagonal et europ en (Marko 93, Dire132, Daim, Vesod, Dran, Gris One, Inti, Vhils, No art ...) mais aussi par le monde de la bande dessin e (Enki Bilal, Frank Miller...).

La bombe de peinture est son outil de pr dilection car il est le m dium id al pour la peinture en grand format et surtout lui laisse une grande libert quant au choix des supports.

Les lieux abandonn s, us s par le temps, les friches et usines laiss es aux mains de la nature lui ouvrent de nouvelles perspectives. En 2009, il met de c t son travail figuratif pour d velopper un travail plus abstrait, par le biais de formes en volume circulant et se mat rialisant dans des lieux incongrus. D s lors, il s'efforce de sortir le graffiti de ses conventions en le faisant voluer sur le sol, les plafonds

Dans la rue, en friche, sur toile ou dans une installation, la forme de son travail prend sens avec les l ments qui l'entourent. Ensemble, ils cr ent une m lodie qui s'inspire de la m lancolie du lieu o l'on se trouve.

La photographie joue un r le important dans la transcription de ces motions, laissant une trace de ces oeuvres vou es dispara tre, elles aussi.

La rue est son aire de jeux. Il y trouve diff rentes surfaces qui lui permettent de mat rialiser son uvre.

Avec la toile, il plonge dans le ch ssis, lui transmets une me, inspir e de ces m mes murs de friches marqu s par le temps.

Jamais r ellement achev , son champ d'exp rimentation n'a pas de limites. Car m me s'il n'y a plus ni toiles ni murs, reste la voie ouverte de son imagination.

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Djalouz Art

Born in 1985 and raised in Paris, Djalouz is a French mixed media artist and street activist. In 2003, he graduated in design and became involved in graffiti.

He was directly inspired by the young French and European rising scene (Marko 93, Dire132, Daim, Vesod, Dran, Gris One, Inti, Vhils, No art...) and also by comic strip universe (Enki Bilal, Frank Miller).

Spray can has always been Djalouz s favourite instrument, its ideal for large format paintings and can be applied on multiple surfaces.

Abandoned industrial sites, wastelands and other places worn out by time allow him to open new universes . In 2009 Djalouz puts aside his figurative work and develops an abstractive one through shapes and volume performing into incongruous places.

From then on, Djalouz has never stopped to take graffiti out of its own conventions by painting from the ground to the ceiling and wherever!

Through streets and industrial wastelands as well as on the canvas or artwork, Djalouz s work takes sense from elements surrounding it. They create a melody inspired by the melancholy of the place.

Photography has also an important role in emotional transcription by leaving a trace of these works that due to their very nature are bound to disappear. Manufactured landscapes are by far his favourite playground.

With canvas painting, Djalouz buries himself into the frame and confers a soul to it.

A soul inspired by these disused places scarred by time. His continuous evolution is ongoing and his experimentation has no limit. Beyond the canvas and walls, the gate of his imagination is deep and wide.

Requires iOS 5.1 or later. Compatible with iPhone, iPad, and iPod touch.